Yin and yang, but Beijing needs to square the circle
February 10, 2007
THE near-enclosed oval roof of the Beijing Olympic Games main stadium - the "Bird's Nest" - has given organisers an architectural headache. Just where is the cauldron to light the Olympic flame going to go?
At the Beijing Municipality's Planning Commission, there is a swish video that takes visitors on a sweeping history lesson of the city that includes a futuristic impression of a finished stadium, superimposed with laser-beamed sporting images onto the seating. Curiously, the filmmakers have included an inventive solution for the lighting ceremony: flying the flame on a large, soaring kite attached to the roof of the stadium.
Less interestingly, the organisers had been toying with a more traditional cauldron in the middle of the Olympic Green precinct. Insiders say that idea was shelved a few months ago. They could, of course, have the flame spewing from a dragon, or even - given the plans to give the stadium a red glow - use the Bird's Nest itself as the cauldron. Whatever is chosen, it will be a combination of an ancient idea, modelled with a high-tech twist.
Westerners love the Bird's Nest but the Chinese are ambivalent about its extravagant look. The soaring stadium is nearing completion and is one half of the "yin and yang" elements of the 2008 Beijing Olympic Games.
If the round stadium is the fire, or the yin, the yang is the Sydney-designed square aquatic centre, dubbed "the Water Cube" and located directly south of the stadium. Westerners think the Water Cube is pretty special, but the Chinese have universally fallen in love with it. Certainly, they believe the Water Cube is more "Chinese" than the stadium, which is sometimes compared to a very expensive toilet seat.
Symbols and their meanings are very important to the Chinese. For instance, this Chinese New Year is the year of the golden pig (as it is both the year of the pig coinciding with the metal element) and as such will bring great prosperity and good fortune to any child born in 2007. Which is why Chinese hospitals are gearing up for an escalation of the birth rate.
There is nothing resembling a pig or gold in the water cube, but it does have a moat surrounding it, which reflects the water surrounding the Forbidden City, and it is based on a square of 177m in length and width and located on the significant north-south axis line, which runs through Tiananmen Square.
The local support is a big tick of approval for Sydney's PTW architects. Practice director John Pauline said the idea of having translucent bubbles inside and outside the aquatic centre will bring a new dimension to Olympic venue planning in the future. He said the idea was to develop the aquatic centre for the Chinese to use over the next 20 years and adapt that to the Olympics. As such, the Water Cube will become a leisure centre after the Games.
As to the dramatically different look of the venue, Pauline said it came about collaboratively with the Sydney designers and three invited Chinese architects: "The idea was always going to be about water, and the idea of bubbles and foam was always there, although originally we were looking at a curvy shape … It was the Chinese who said, 'Change the shape because the square has strong roots in Chinese culture'." So the Water Cube was born, its baby blue hue contrasting with the stadium red.
The Water Cube was originally supposed to be built 100m further south but archaeologists found Han Dynasty tombs on the site dating back 2000 years. Planners thought they wouldn't find much during excavation because the Olympic Green was situated outside the traditional Beijing boundaries during the Yuan and Ming Dynasties (from 1279 to 1644).
Above ground there will be references to these tombs for Olympic visitors to view. There is also a wooden temple dedicated to a Taoist goddess and another Ming dynasty temple for the "dragon god of rivers" opposite the athletes' village.
So there is the old (the earth and the wood) and the new (the fire and water) alongside each other within the Olympic Green, with just one element in Chinese philosophy - the metal, or the cauldron - still to find a home.
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